Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich PDF

By James Rankin, Anna Ullrich

ISBN-10: 0321267230

ISBN-13: 9780321267238

Animation Presets, a complicated Clone device, scripting aid, and a strong new colour correction procedure are only many of the purposes you are chomping on the bit to get right down to paintings with After results 6.5. In those pages, a grasp of the medium enables you to do exactly that, featuring a chain of tasks that discover each element of Adobe's animation and results powerhouse. through concentrating on the components that may be complicated for pro clients - even if simply because they current thorny matters or simply because they draw on thoroughly new gains - this quantity offers the concentrated, sensible guide you want to maximize your After results productiveness. every one lesson presents need-to-know information, confirmed recommendations, and most sensible practices for various After results 6.5 services: from uploading and coping with photos to viewing and enhancing layers, animating kind, and extra. The spouse CD comprises QuickTime tutorial video clips, resource code, and records for all the book's tasks.

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2. Add a 100% Opacity keyframe to the Green Body layer. 3. Go to time 10;10, and change the Green Body layer's Opacity to 0%. 4. Go to time 10;15, and change the Purple Body layer's Opacity to 100%. Adding the purple section to the final comp [View full size image] The cross fade you'll create between the Purple Body comp and the End Tag comp is a little different than those you've created so far. The Purple Body takes exactly as long to fade out as the End Tag takes to fades in: 1. Go to time 13;15, add the End Tag comp to the Timeline, and add a 0% Opacity keyframe to the layer.

You could leave the squares where they are and change only their colors. However, the finished spot will be more eye-catching if you alter each background slightly. Green For the green sequence, leave the large solid where it is, and make the small solid land at the lower-left corner of the large solid instead of at the upper right: 1. Open the Moving BG Green comp, and change the color of both solids to a mid green (RGB: 67, 179, 63). 2. At time 0;00, change BG Square 2's Position to 80, 530, 0.

Change the STYLE text layer's color to darkest purple (RGB: 85, 60, 168). 2. Move the layer to Position 354, 477 so it's below the photo. 3. Change the SPACE text layer to read FORM. 4. Change the layer's color to darkest purple (RGB: 85, 60, 168). 5. Set the layer's Position to 138, 298. 6. Change the LIGHT text layer to read FUNCTION. 7. 5. Changing the text for the purple section 60 61 For some variety, swap the In points of the FUNCTION and FORM layers: 1. Go to the In point of the FORM layer (time 5;18), and set a new composition marker (Shift+3).

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Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

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