ABBA 1, World 0. An Essay from Eating the Dinosaur - download pdf or read online

By Chuck Klosterman

ISBN-10: 1451624735

ISBN-13: 9781451624731

Originally accumulated in Eating the Dinosaur and now on hand either as a stand-alone essay and within the booklet assortment Chuck Klosterman on Pop, this essay is ready ABBA.

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Additional info for ABBA 1, World 0. An Essay from Eating the Dinosaur

Example text

They had an intense Tin Pan Alley professionalism (if Björn and Benny felt like writing an uptempo T. Rex song, they’d just sit down and knock off “Watch Out” in three hours), but they were also laissez-faire Scandinavian hippies who didn’t have to worry about crime or sexual mores or health care. 3 ABBA wanted to reach audiences in America, but they lacked a framework for what that entailed. Their best option was to make one up. They tried to create a simulacrum for how the American pop ethos appeared to objective Swedish outsiders.

When thinking about ABBA, this is the song to think about. ” This statement isn’t false, but it’s wrong. I suppose it’s true if you use the word relevance like most people who regularly write about music, but it’s false if you think about how the world actually operates. As a rule, people who classify art as “irrelevant” are trying to position themselves above the entity; it’s a way of pretending they’re more in step with contemporary culture than the artist himself, which is mostly a way of saying they can’t find a tangible reason for disliking what something intends to embody.

It seems like Nigel Tufnel logic. But Hammett intuitively understood something the other guys in Metallica didn’t want to accept: The mere recognition of an extrinsic reality damages the intrinsic merits of one’s own reality. In other words, it’s a mistake to (consciously) do what everyone else is doing, just as it’s a mistake to (consciously) do the opposite. According to the aforementioned C. Magnus Palm, the members of ABBA were irrelevant at the end of the eighties, presumably because they were (a) not creating singles that were on the pop charts, or (b) not overtly influencing the work of people who were (like Madonna and Paula Abdul).

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ABBA 1, World 0. An Essay from Eating the Dinosaur by Chuck Klosterman


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